BHANG, YOUNGMOON PHOTOGRAPHY

The reason I study the relationship between mathematics and music originating from ancient Greece—a subject almost trite in its foundational nature—is not merely to trace the origins of music history. Rather, it is an ongoing process of asking what my own, myself once again: “What is music?” Where mathematics in ancient Egypt and Babylon developed for pragmatic ends like land surveying and celestial observation, the Greeks initiated a playful intellectual expansion, transform

“Does visual art simply convert into music, or does it emerge into a new structure through music?” The combination of sight and sound in art has long been discussed under the umbrella of 'synesthesia,' but approaching it from the perspective of the physical structure's transfer and reconstitution, going beyond simple subjective impression, can be a different matter. For me, this contemplation has recently been distilled into the keywords: symmetry, non-linearity of mapping, a

Definition of Art: "Infinite Partition that Does Not Converge" $$\text{Art} \equiv \lim_{n \to \infty} \sum_{i=1}^{n} \Delta_i \quad (\text{where } n \neq \infty)$$ "Art is equivalent to ~." $\text{Art} \equiv$ Signifying an essential definition beyond mere 'sameness'. “Art is the will to approach a certain state.” $\lim_{n \to \infty}$ "The limiting process of infinitely increasing the number of partitions ($n$). “Art is the totality of the 'act of partitioning itself' as